We are proud to introduce today our collaboration between The Cognet Cutlery and Wheels and Waves
This unique batch of fifty knives can be sent all over the world !
The douk-douk is a French-made pocket knife. It has been manufactured by the M.C Cognet cutlery firm in Thiers since 1929.
Famous in the former French colonies for over 70 years and used recently for decades by the Army and in the French Foreign Legion, these are tough.
Nothing fancy about them; just real working, single-blade knives. The handles are gunsmith-style ferro-blackened folded steel. The blades are high carbon steel, hardened to Rc 50-53 and slightly hollow-ground using water grinding wheels. Blade thickness 2.5mm and blade length is 2-1/2.
Because they are relatively light and flat, they are great for the pants pocket. Their robustness makes them exceptional for any toolbox. Neat tools for sure. Made in France.
Blade length 9 cm
Nous sommes fiers de vous présenter nôtre collaboration avec le Coutelier M.C Cognet, éditeur original du fameux Douk Douk depuis 1929. Cette série unique de cinquante pièces, tombe à point pour la saison des champignons !
Le douk-douk n’est pas seulement un couteau : C’est aussi une Légende...
Initialement conçu pour le marché de l’Océanie, aux grandes heures de la France dans ces contrées, il a finalement équipé pour le meilleur et quelquefois pour le pire, les peuples d’Afrique.
Des montagnes de l’Atlas aux jungles profondes de l’Afrique Noire, des dunes du Sahara aux rivages de Mauritanie, il est encore porté par nombre de travailleurs, de baroudeurs, d’explorateurs et parfois de guerriers…
Couteau de chasseur, de pêcheur, d'explorateur, d’aventurier, outil indispensable ou arme redoutable, son succès est tel que nombre de copies ont été tentées avec plus ou moins de bonheur.
Aujourd’hui encore, il reste le compagnon parfait du randonneur, du campeur, du pêcheur, du chasseur ou du bricoleur...
Le compagnon idéal de tous les amoureux de la nature et des objets authentiques.
Robuste et discret, original et peu exigeant en entretien.
Longueur de la lame 9 cm
Words: Sian Brooks
Pictures © Dave Norvinbike & David Lancaster, 2014
The annual Pioneer Run is organised by the Sunbeam Motor Cycle Club and runs from Epsom Downs, just south of London, to Brighton: it’s the world’s largest gathering of pre-1915 machines.
Since its inception in 1930 – baring wars and cancellation of last year’s event due to storms – motorcycling’s early stabs at comfort, speed, reliability have set off on a spring morning to complete the 50-odd mile run to the coast. It’s a proper run too, in open, south-east of England traffic. The bikes all impressive - but often it’s the museum-quality pieces which stutter and falter, and the patina’d, oil-soaked ones which disappear without drama at the start.
The like of John Surtees, Geoff Duke and petrol-head royal, Prince Michael of Kent, have all taken part. This year, Sammy Miller was among the entrants.
My ride was a 1914 Sun Villiers, kindly loaned by the family of Brooklands racer Rex Judd. It’s a neat little 250cc two stroke, one of many produced by the Wolverhampton-based company whose roots date back well over 100 years.
It was in distinguished company: the paddock area was filled with the last minute fettling of single cylinder BSAs, Triumphs, AJSs and Ariels, along with more exotic Harley-Davidsons, Indians and the odd Zenith. Over 350 bikes were entered.
More used to racing 250s, and riding post-war Velcocettes on the road, the little two stroke presents – like all the bikes entered – a steep learning curve. It lacks a clutch or gears. There’s an advance/retard lever on the tank plus two further levers on the handlebar for throttle and choke. The front brake is at your right hand and a decompressor at the left, and there’s a heel operated rear brake. Simple, really. And all on open roads.
Braking on these old machines is pretty ineffective so you have to really focus your observation skills and have grippy soles on your boots. Once stopped there’s no way of keeping the engine running, so to get moving again you need to run alongside and jump on as it fires.
Putting aside the anxiety of negotiating traffic on a 100 year-old bike with no clutch, the bike is really fun to ride. The vibration means the levers are moving and drifting away from your setting so you have to constantly adjust each one to keep it purring along.
But despite my right leg being soaked in oily fuel all the way from Epsom, I made it to Brighton and the bike didn’t miss a beat. All along the route people were out in their gardens and at the roadside waving. Brighton was packed with bikes from all eras.
It was wonderful to feel part of over 100 years of motorcycling history; human history as much as mechanical. Sunday’s oldest entrant was 88 year-old Derek Light, who successfully steered and cajoled his 1910 Sociable tricycle all the way down to Brighton. My ride was a challenge. But his, with a combined age of 192 between motorcycle and pilot, was an achievement.
For the first time and hopefully not the last one, we have been editor of a very special issue of "Moto Heroes" magazine. That means we've had the opportunity to choose the content among a lot of photos shared by great photographers. We would like to thank them for their participation.
Our small event held in June, attracts a lot of characters acting in our small world . This magazine will become the memory of a rich and creative period . We are happy to let you a printed trace.
a small amount of the collector edition including the poster designed by Steven Burke and the luxurious hard cover illustrated by Maxwell Paternoster is still available on our store.
(Texts in French and English)
We ship everywhere in the world !
Interview by Cyril Dunn
Hi Uwe, could you please introduce yourself?
Tell us more about Ehinger Kraftrad.
I have been running the company EHINGER KRAFTRAD since 2008 with Katrin Oeding; she is a designer as well as my partner in life and in business. With a manufactory’s standards of technological perfection and creative courage, we develop design concepts together for motorcycles, motorcycle parts and fashion with unique and innovative solutions that are then realized with precision, in the highest quality and with a minimalist design in close collaboration with selected partners. Katrin is the designer. I am the engineer and technical developer. An EHINGER KRAFTRAD product is always accompanied by a little piece of motorcycling history.
For more information, please refer to www.ehingerkraftrad.com
Photo © Bernard Testemale
When did you start riding a motorcycle?
I was 6 years old. I was living at my uncle’s hacienda in Argentina at the time and rode his 125 Yamaha.
What was your first bike?
It was a Kreidler Florett – a real German 50ccm – and I was 15. I got my license early and by the time I was 17, one thing
was clear: I wanted a Harley. I got a tip that some old Harley police bikes were being auctioned in Belgium. There was just one catch: you had to be 18 to participate. So I borrowed my brother’s papers, hitchhiked to Belgium and purchased a machine. Then I rode back home across country roads with his driver’s license, which was probably only for mopeds anyway. On a Belgian police motorcycle. I sincerely hope that this falls under the statute of limitations by now.
What about Choppers? This seems to be a long love story?
It all started when I was 17 and watched the movie “Easy Rider”, which infected me with an incurable fever: the Harley virus. At the time, I was living in Hamburg and studying Particle Physics as well as Mechanical Engineering. But above all, I spent many hours reading about old Harleys. In those days, from the mid to late 1970s, it wasn’t easy to get your hands on specialist motorcycle literature. I managed to procure reading material like the Jammer's Handbook, Easy Riders or Street Chopper from overseas, and started working on my first machine: a Shovelhead. In 1976/1977, I traveled to L.A. to visit my aunt and met people from the scene for the first time.
Does living in Hamburg, Germany, have an influence on your work and inspirations?
There is a German style of getting things done. I grew up here and this is where I took my first steps in craftsmanship. I did a three-year apprenticeship at the shipyard Blohm + Voss. The atmosphere was reduced yet concentrated and this style suited my personality. The clear, factual language, color and shapes are similar to my own way of approaching things.
How dynamic is the Hamburg custom motorcycle scene?
The custom scene in Hamburg is quite small, but there is a huge Harley scene. The Harley Days take place here once a year; it is Europe’s biggest Harley event with 550,000 visitors and bikers.
Photo© Hermann Köpf
What kind of bikes do you work on?
I started a trilogy as homage to three bike sports that have slowly been disappearing over the past years. The Snowracer as my interpretation of a hill climber was the first step. Secondly, I worked on a Bonneville racing machine for high speed racing on salt lakes. And thirdly, a Speedway Knuckle in remembrance of the old racing sports without brakes.
A few months ago, you released the book 'Rusty Diamonds'…. What is it all about? –
The book “RUSTY DIAMONDS” documents Uwe Ehinger’s archeological motorcycle finds from 1979 to 1989. It is a collection of almost lost motorcycle knowledge and a unique, extremely personal documentation of a true motorcycle enthusiast.
Uwe Ehinger was infected with an incurable fever for motorcycles at a young age and his passion for the motorcycle manufacturers of the 1930’s to the 1960’s remains to this day. When he set off on his travels in 1979 at the age of 19, he didn’t bring along much more than an idea and a year’s worth of arduously acquired knowledge about antique racing and sports motorcycles. He travelled from North to South America and from Europe to Asia as an independent dealer of rare motorcycles until 1993. During this time, he hunted down brands like Brough Superior, Norton, Vincent, Indian, Harley Davidson, BMW, etc. He searched for them, dug them out, discovered them, bargained for them, and then sold most of them again.The book “RUSTY DIAMONDS” begins with an elaborate, very personal interview in which Uwe Ehinger describes how it all began, why he became a motorcycle agent and what life was like in South America back in those days. With this coffee table book, the reader can embark on his or her own motorcycle quest through over 250 photographs depicting Uwe Ehinger’s countless trips, arranged chronologically and accompanied by touching stories as well as explanatory texts. All from a time without cash machines, Internet, e-mail or online stores.
How and when did your irretrievable/irreversible quest begin?
It began in the middle of the 1970s.
What were you looking for at first?
Bikes, bikes, bikes. Anything that was tradable. Mainly antique bikes from the very beginning until the 1960s.
What process did you develop to succeed in each of your researches/searches?
I heard that there were lots of old Harleys in South America, and at the time, the prices for Harleys were rapidly rising over here. That gave me the initial spark. I was already fairly familiar with South America and I had a contact in Chile, a place where even better bikes were supposedly available. I saw it as a great opportunity. I scraped together as much money as possible with the plan of buying whatever I could get my hands on. But before I traveled to South America, I spent many months reading English, American and German books and magazines about old motorcycles in libraries.
Finally, are you a kind of motorcycle archeologist?
Yes, but I was working practically and somehow felt like a part of this past. In other words: I hunted mammoths with the Neanderthals.
You must have many recollections, could you share a particularly memorable one with us?
There are vibrations that feel a lot like a motorcycle whizzing past at great speed – although they are caused by something completely different. In South America, the cause of such overwhelming vibrations is usually an earthquake.
I was in the Chilean holiday paradise of Vina del Mar when someone gave me a tip that there were two old motorcycles for sale nearby. Before I had the chance to take a look at them, the floor of the hotel started to shake as if a herd of buffalos were thundering across the hall above me. The next day, I struggled through the rubble to the address that had been given to me. The house had survived the earthquake and was still intact – and so were the bikes. When I saw what I was dealing with, I started to tremble inside. Full of joy. The first bike was the military-version of an Indian Chief, easily recognizable due to its somewhat simpler leaf spring fork. And that was just the first part of the surprise; the second was a Rudge from the late 1920s. The British motorcycle manufacturer Rudge Whitworth was the first to use four-valve technology and conical combustion chambers as standard. This technological edge proved to be an advantage in both circuit racing and on dirt tracks in those days. Riders like Graham Walker, Ernie Nott and Henry Tyrell-Smith dominated European racing history and enjoyed multiple victories in the Tourist Trophy on the Isle of Man. With their stoic, smooth-running engines, these machines from Coventry still have many fans amongst the riders of the Wall of Death shows.
The owner named a price so shockingly low that I almost forgot to bargain with him.
How long did your quest last?
The quest never really ends. But nowadays, it is totally different due to globalization and not least because of the Internet.
How many motorcycles did you find & buy in the end?
Thousands. Mainly police bikes from Mexico and South Korea.
What became of the motorcycles that you found?
I sold them to collectors and re-imported masses of these bikes to the U.S. to traders. They, in turn, sold them to various buyers all over the world. I saw some of the motorcycles again in Germany, Japan, Denmark, Belgium and Sweden as Choppers or Bobbers.
What was your best bargain?
One of my sources told me there was a bike for sale. Once I introduced myself, the man selling it pushed open the door wordlessly. Tall and thin with a heavily tanned face, he led me to the backyard of his house. He had grouped his dusty motorcycles together into an earth-colored heap and slowly pointed at the bike I had come for. But I had already secretly shifted my attention to something that shone out at me from beneath the dust. Even though it was lying on its side, it still looked fast. I bought the bike that I had originally come for and offered to take the rest of the “junk” with me for the price of 100 US dollars. A sacrilege considering the rarity I was dealing with: a Moto Guzzi Giulio Cesare Carcano 500 V8. Very few of these engines were built, and I had found one! What made this Moto Guzzi so special were the 500 cc spread over 8 cylinders. It was a V8 engine that was usually only used in sports cars.Another Italian company named Galbusera had already toyed with the idea in 1938. But in the end, the engine was built by Moto Guzzi in 1955 for its in-house racing team. In those days, the engine caused a sensation. But it failed to be a success on the race circuits. The Argentinian chewed on his cigarette and waved his hand in disdain. He was happy to get rid of this piece of cultural heritage on two wheels because he thought it was just useless junk.
Have you definitely given up this "hobby"?
It was never just a hobby. It was my passion and my way of earning money. By the time I stopped travelling around the world and personally hunting for motorcycles myself, it was already over. The big butches had already been traded and the market was grazed bare.
What is your daily riders these days?
A Harley Davidson Flathead and a Triumph Bonneville.
Do you have your own private motorcycle collection? And if so, what kind of treasures do you own?
I do have a few Knuckleheads, Flatheads and Big Flathead from the 1930s – all originals.
When participating to the Wheels & Waves event, what were you expecting and, finally, what did you find there?
I was expecting to meet people who are truly enthusiastic about motorcycles and ride with a passion. When we got there, we were greeted with a great location for the “Art Ride”, the historic hall with a combination of events comprising motorcycles, fashion, old photographs, illustrations, artistic surfers and skaters. The event location in Biarritz was a special place by the sea with a lot of promise and a second great location at a lighthouse.
Any surprises at the event?
In the past, the people who were most interested in all kinds of motorcycles and riding were older. Now there is a new generation with their own spirit and a lot of passion for good bikes. The name “Art Ride” expresses it perfectly. It conveys a mixture of lifestyle, art, fashion and music but also respect for craftsmanship and engineering, complemented by surfing and skating.
How do you forecast the future of the motorcycle scene?
Nobody knows. I think it will be: sensible, not banal, not excessively commercialized, and definitely substantial.
I heard that you have a project with “Gestalten”… What is it about?
We were already involved in “The ride” and there is a new project coming up focusing on craftsmanship. We are a part of it and are really looking forward to this project.